Austrian artist Melanie Ebenhoch’s original project puts mosaic craftsmanship at the service of an idea. It leads the viewer to reflect on the concept of waste and reuse.

Four objects – a mattress, a washing machine, Freud’s couch and a piano – look at first glance like four bulky wastes abandoned in the middle of a modern residential complex.
Four “wastes,” embedded in a complex of buildings with studied geometric walls painted in bright colors, become landmarks and identity elements, accompanying residents and visitors.

Translated with DeepL.com (free version)